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His
leaning was tellingly European, and his craft was lovingly hewn out of the
rock-mass of post-impressionist modernity. This was no barroom frolic,
neither was it a highbrow excursion into the abstract or esoteric. With
disarming candour and an appealing stage presence, Koehnlein took his
audience into his world of self-expression without the least hint of
unease or self-consciousness ... Jazz
lovers in the city surely enjoyed this musical treat that took place at the
Mazda Hall on Friday evening as the Dieter Köhnlein Quartet performed some
of the best jazz compositions ever. Dieter Koehnlein possesses all the characteristics which distinguish an
elite pianist: creative strength, the ability of spontaneous improvisation,
point-referred intellectual capacity and a unique virtuosity. He plays with most precise attack, clear touch, natural dexterity:
Whether fast runs or tenderly breathed passages, filigree tone patchworks
or substantial attacks–tactful instinct and clenched strength built upon
themselves in harmony. Dieter Koehnlein can be considered one the most convincing piano stylists
in European modern jazz. In the first tune Koehnlein already showed all the qualities that have
made jazz experts declare him an exceptional pianist: technical brilliance,
fantastic improvisational art, aggressive rhythmics plus the feeling for
soft tones and for bluesy ballads. With indeed a virtuosity rare for European standards, Koehnlein achieves
the splitt that is considered almost not possible between ballad-style
lyrics, hard rhythmics and free improvisation. There are few musicians who can make a solo concert interesting. Dieter
Koehnlein is undoubtedly one of them... Koehnlein is a sensitive musician
who succeeds in fusing with his audience. His improvisations are immensely dense, with dreamlike sureness he
retains the overview. He integrates filigree builtup of tension and
release into the total developement, chisels with steel-hard touch large
arcs of tension. Without
pushing his virtuosity into the foreground, his play has speed, intensity
and distance at the same time. Michael Scheiner, Jazz Zeitung Munich |
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